Urban Stomp: Dreams & Defiance on the Dance Floor (April 11, 2025-February 11, 2026), is a first-of-its-kind exhibition exploring over 200 years of social dance in New York City — from the ballrooms and bars of the 19th century to today’s parks, living rooms, and clubs. The exhibition highlights how the city’s dance cultures — and the spaces they animate — foster collective joy, resistance, and new social possibilities that reverberate far beyond the dance floor.
The exhibition builds upon six years of research and programming through the ongoing Urban Stomp series, which began in 2019 (Click here to view the documentary short). His professional relationships were instrumental in securing objects and archival materials from a range of institutions and community organizations, including: Institute of Jazz Studies, Louis Armstrong House Museum & Archives, the Metropolitan Museum of Art, New York Public Library of Performing Arts, Celia Cruz Foundation, Center for Puerto Rican Studies (Centro), Royal House of LaBeija, Smithsonian National Museum of African American History and Culture, Remix⟷Culture, CUNY Dominican Studies Institute, Apollo Theater, Karla Flórez School of Dance, Think!Chinatown, Schomburg Center for Research in Black Culture, Thunderbird American Indian Dancers, and private lenders such as Rubén Blades, DJ Rekha, Judy Santos, and more. The exhibition includes:
6 themed exhibition sections
A 200-year history of social dance and music in New York City
8 interactive screens throughout the galleries
23 video dance tutorials
90 dancers featured in tutorials and dance film productions
11 dance floor videos with music for audiences to follow along
Over 300 objects on display, including photographs, paintings, regalia, costumes, ephemera, monuments, installations, instruments, films, and graphic works
35 curated film excerpts showcasing social dance cultures and practices
Jacket worn by Rubén Blades
ca. 1977
Wool and leather
Courtesy of Rubén Blades
Louis Armstrong's trumpet
Selmer
1933
Steel and brass
Dhol
Amb tree, mango wood, and synthetic and goat skin head
2002
Courtesy of Sunny Jain, Founder/Bandleader of Red Baraat
In the role as Curator, Mr. Washington’s ethnographic research and relationship building allowed him to include several objects in the exhibition that have not been displayed before in a museum or publicly. A few examples of the exhibition objects include:
Louis Armstrong’s trumpet and original diary/manuscript
Rubén Blades’ custom 1977 Fania All-Stars jacket
Benny Goodman’s clarinet
Lester Young’s saxophone
Billie Holiday’s jewels
Cootie Williams’ cornet
Miles Davis’ green brass trumpet
Jack Teagarden’s trombone
Celia Cruz’s dress and collage of 6 of some of her most iconic shoes
Tito Puentes custom timbales and suit
Eddie Torres jacket as a the director of the Tito Puente Dancers
Big Daddy Kane’s Dapper Dan sweatsuit
Original objects from Rock Steady, Dynamic Rockers, & NYC Breakers
Thunderbird Native American Dancers’ regalia
Eddie Torres jacket as a the director of the Tito Puente Dancers
1903 Thomas Edison phonograph with original sound horn
Untitled (Duke Ellington with floating piano)
Ed Dwight
ca. 1980
Bronze
Art & Artifacts Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox and Tilden Foundations
Phonograph
The Edison Speaking Phonograph Company
Early 20th century
Metal and wood
Private collection
Karla Flórez School of Dance
Karla Flórez
Enrique Olaya
Vintage Dance Society
Marc Casslar
Martha Griffin
Candice Franklin-Cox
Jaime Shannon
Elena Valencia